COVER TO BE SEEN

This project explores covering, both visual and emotional, and how it shapes what we see, believe, and desire.

It began with two moments: a dust cover in London’s Chinatown that showed an ideal future building, and a brief encounter where I built a fantasy from limited interaction. In both, surfaces acted as tools for suggestion and imagination.

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Using paper, metal, nylon, and fabric, I create objects that simulate what does not exist.

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Jewellery here is not mere decoration but a device that guides perception and constructs value. My work questions how much we trust appearances, and how easily design misleads our eyes.